When they arrived in Europe in the autumn, The Cure had already performed 65 shows across the UK, North America, Australia and New Zealand that year. Not surprising if tour fatigue had set in a bit by then. It seems like you can kind of see that on videos of these shows. Bassist Simon Gallup would drop out of the European leg for a couple of weeks due to illness. Shelleyan Orphan bassist Roberto Soave would temporarily replace him. But in Rotterdam Gallup was still there. However, the band would play slightly shorter shows by Cure standards, at least in the Netherlands. Just over two hours, with fewer songs in the encores.
The Cure just announced a deluxe reissue of their ninth studio album Wish in celebration of its 30th anniversary. The initial Dutch cd edition, released in April 1992, came in a numbered cardboard slipcase. It contained an insert about a contest from the Dutch branch of The Cure’s record company Polydor. With the number of your copy, you could win a trip for two to New York to attend The Cure’s concert at the Giants Stadium, flight and hotel included. You could also win other prizes, such as box sets, hand-printed shirts and tickets for one of The Cure’s upcoming shows in the Netherlands.
In June 1992 Polydor placed an ad in music magazine OOR with the winning numbers. Noteworthy is that The Cure would not play at the Giants Stadium at all that year. They had opened the North American leg of their Prayer Tour there in 1989. So maybe that venue was originally scheduled for the Wish Tour as well. But in 1992 The Cure ended up playing two shows at another venue in New York, the Nassau Coliseum in Uniondale. One show was at the beginning of the American tour in May and another one at the end in July. The insert mentioned that the record company reserved the right to offer an alternative destination. I wonder if the winner eventually went to the Nassau Coliseum in July (by the way, I didn’t win anything ;).
Just in case you missed it, or forgot about it along the way, this is to draw attention once more to one of the most enjoyable podcasts of the moment: Curious Creatures. It is hosted by two post-punk icons, Lol Tolhurst and Budgie. Lol is of course co-founder and former member of The Cure. He started on drums and later switched to keyboards. Budgie is best known as the fantastic drummer of Siouxsie & the Banshees. He also formed a side-project with Siouxsie called The Creatures. After many years, the two found each other again. They are now working on several projects, one of which is this podcast. If you are a fan of these bands, and of course you are, this is a podcast for you. Also when you are a drummer, like me, you will enjoy it for sure.
Generally, the podcast offers pleasant chats between Lol and Budgie and often a guest. They talk about subjects as music, subculture and life in general. The guest can be a contemporary, but also someone from a completely different era or background. Lol and Budgie have a good chemistry and talent for telling amusing anecdotes, that give further insight into the history of the bands they were in and themselves as persons.
In 2019, the TopPop Youtube account posted a high quality version of The Cure miming A Forest at the TROS Top 50 show. It was probably recorded at the beginning of July 1980. As it now appears, this 3’46” version of A Forest, broadcasted on Dutch television in August 1980, was a shorter edit from the full version as recorded and already broadcasted in July 1980. More spectacularly, the TopPop archivers found out that The Cure had mimed another song in July 1980. They opened the TROS Top 50 show with Play For Today!
A possible reason for this recording might be that the Dutch branche of Polydor Records had Play For Today in mind as a second single off the Seventeen Seconds LP. This, however, never happened.
As far as I know, this particular performance of Play For Today has never resurfaced since July 1980. I also can’t remember seeing it on trading lists in the past. So, sit back and take a moment to enjoy this true hidden gem, such as they rarely appear!
UPDATE: on 21 April 2022, Robert’s birthday, TopPop also posted the full 5’42” (album) version of A Forest in high quality.
Rumours were already circulating that The Cure would be touring Europe in the autumn of 2022. Dates in Paris and Germany leaked out. On Monday 6 December 2021 exactly at 12 noon (CET), the band officially announced that they will indeed be embarking on a tour throughout Europe next year. As of now, 44 shows in 22 countries are scheduled. One of the stops on the “Cure Tour Euro 22” will be the Ziggo Dome in Amsterdam on 25 November 2022, where they also played on their last arena tour in 2016. Just like then, Scottish melancholic indie band The Twilight Sad will be supporting The Cure. It’s not the first time The Cure will be playing with the same support act as on previous tours. In the past, And Also The Trees and Cranes supported The Cure on several occasions.
On Saturday 12 October 1996, The Cure opened the European leg of their Swing Tour at the Ahoy’ Sportpaleis in Rotterdam. It was almost exactly four years after their last visit to the Netherlands. Quite a long hiatus for a band, especially in those days. A lot had changed in between, including the musical landscape. Some thought The Cure were the wrong band at the wrong time in 1996 (not me of course).
The changes also became apparent during the Swing Tour. Some shows were cancelled or moved to a smaller venue. Actually, I think Rotterdam was the first date on the tour only because of the cancellation of other shows (Budapest, Munich, Strasbourg?).
The only Dutch Swing Tour concert was far from sold out, while on the previous Wish Tour the band played two packed shows at the same venue (capacity approximately 10.000). This time around they covered the upper stands of the Ahoy with curtains. While the ticket mentioned otherwise, there was no support act.
Recently, Time Out published a top 50 of the most beautiful cinemas in the world. Theater Tuschinski in Amsterdam, opened in 1921, is at number 1. Time Out describes it as an ‘elegant mash-up of art deco and art nouveau styles with sleek modernist touches’.
On 11 September 1993, Tuschinski was the scene for the screening of The Cure’s concert film Show, just before the release of this live album/video. There were several cinema screenings all over the world. But as far as I know, this was the only one in the Netherlands. Show captured The Cure on their successful Wish Tour in 1992. It was filmed over two nights in Auburn Hills, near Detroit, towards the end of the American leg.
There’s a new Dutch book out which also contains a chapter about The Cure. It’s called Popparadijs Nederland, written by Tom Steenbergen. Tom was, among other things, product and marketing manager at Polydor, the former record company of The Cure. He did a lot of promotion for Seventeen Seconds in the Netherlands.
The book is a collection of stories about well-known international artists from the 60s, 70s and 80s, who used the Netherlands as testing ground for their international careers. The chapter about The Cure is 7 pages, including photos. Tom tells some interesting personal anecdotes. For instance, about his idea to release a second single off Seventeen Seconds (Play For Today) in the Netherlands. This appeared to be not entirely in line with the band’s views. We all know it didn’t happen, but I’m curious what song would have been on the flip side…
Other artists featured in the book include David Bowie, Blondie and Kate Bush.
2020 marks the 40th anniversary of the second Cure LP Seventeen Seconds. A pivotal release for the band. With this album, they started to define their own unique sound and style. It is remarkable how fast the band produced the album. The recording only took about one week. The same goes for the mixing by Robert Smith and producer Mike Hedges.
If I’m right, Seventeen Seconds was the first Cure LP that was also being pressed in the Netherlands especially for the Dutch market. The manufacturing took place at the Polygram Record Service (PRS) plant in Baarn, not very far from Amsterdam. The outer sleeve was almost the same as the UK pressing. But the labels on the record itself were standard red Polydor labels, unlike the printed UK labels, which were in the same style as the sleeve artwork. This was probably to reduce costs.
A bit late, but still before the end of the year and also of the decade, so I thought to be just in time for a look back at the final Cure gig of the 2010s in the Netherlands. Actually, it would be the last of only three Dutch shows in the past 10 years!